Monday, 27 April 2009
Semiotic analysis
Then there is a shot of Emily opening the door (using match on action) this looks like a useless part to the film but it starts to show that Emily is not just a young child but sh and has responsibilities and is grown up enough to be left at home alone. When Emily gets inside the house and begins too walk upstairs their is a point of view shot (POV) which gives you an insight to what the stalker is looking at and also he conservative movement as he shields himself with the edge of the door, Also there is a very screechy sound which is quite long and drawn out, long drawn out sounds are used in lots of horror films like Halloween as it increases tension by making you unconsciously hold your breath.
Then we used a tracking shot which shows Emily walking into her bedroom. As she gets to her window you can see the stalker waiting outside under the lamp post, this is an inter textual link of the famous cover shot from the exorcist when the priest stands under the street light. There is also a spooky sound effect over the top to increase the audiences tension. Emily doesn't actually notice that the stalker is there, she then walks in front of the camera and when she moves back the stalker has disappeared. This gives a feeling of superiority to the stalker because it almost supernatural that he just disappears out of shot very quickly. This can only increase the fear the audience feels for Emily.
Next there is a low angle shot of Emily which helps to portray our preferred reading that she's is not quite as vulnerable as you think. The light flicker a few times and then fully fuses out. A loss of light is very common in horror films because it's something we signify with fear from a young age. There is then another shot of Emily as she walks down into the cellar with a flash light. both common iconography of horror films. Then there is a mid shot of the electrical box and the fuse to show the audience exactly what the problem is, it's not just fused out but someone has cut it. Then Emily turns the electricity back on which again is a signifier that she is not the typical ditsy blond but more of a final girl. When the light switches on it switches to another point of view shot as someone walks towards Emily, we made this shot seem more realistic walking with the handheld camera so it shakes. When the stalker reaches Emily there is a close up of her face to show her shocked expression. The next shot we have is a two shot which is generally used to show two characters in conversation. The final shot is another close up of Emily face as she's told by Mark that he didn't mess about with the lights. This is another twist which leaves the audience on a cliffhanger and will hopefully make them want to continue watching the rest of the film.
Friday, 24 April 2009
Rough cut
Friday, 3 April 2009
Evaluation
Our film has developed conventions of real media projects because in real horror films, like us they slowly build up the tension at the start of the film . I think we managed to build the tension well because it starts off with the scary music and a closeup of Emily's feet, then you see she is being followed and immediately this creates tension. Then when she gets inside the house and walks upstairs there is a point of view shot of someone watching Emily. We continued to use various camera shots and sound to build the tension until the end climax. Also even though the audience knows what's coming they don't know when and this is what we tried to incorporate into our film.
Thursday, 2 April 2009
Target Audience & BBFC
Wednesday, 1 April 2009
Final synopsis
A chilling tale about a young girl who is followed home late at night by a hooded man. She doesn't notice the man and treats it as any other day. Until the lights in the house flicker out. Then she starts to worry. To make matters worse she must go down to the basement on her own because no one else is home, or are they?
Hardware

Another plus point is that all you have to do to get the footage from the camera to the mac is open i movie 6, plug the camera into the computer and wait until you see import icon pop up and then press it and wait for it to load.
Tuesday, 31 March 2009
Software

Initial analysis of a film opening
Budget: $30,000,000
Opening weekend profit (US) $29,000,000
Overall turnover $67,200,000
A Listers: Samuel L .Jackson and Ashanti
Production Company: MTV Films Distribution Company: paramount pictures
Filming Location: California
Black hip hop music a signifier of the black area and sport the film is filmed at.
Opening scene sees the protagonist (Samuel l. Jackson) on the left hand side of the screen.
Working class area, rundown, shown by shutters on the shop window typical of down town LA where the film was shot.
Credits pause on the big names to draw your attention to them.
Late teens playing basketball suggests what the films about.
News camera talks to Ty crane, this creates a realism affect for the audience because the news is factual.
Camera tracks coach carter then pans upwards to the sign, this is information of where he is and what he is doing there.
Mixed race basketball team getting agitated creates tension and is representation of California’s mixed ethnicity.
Police guarding the gym door shows it’s a tough school (possible rags to riches storyline)
There is an over the shoulder shot of Ty crane then a shot reverse shot from Coach Carter to Ty crane. The mid shot of coach carter to shows his impressed expression.
Coach Carter taps a boy on the shoulder and says “hey son” this is information that he has a son and a possible reason for him being at the game.
The ball goes out of play and there is a mid shot of the Richmond team slumping in there chairs this shows the way the game is going.
More bickering shows poor teamwork and a lack of respect the players have for each other. This shows they are troubled young men, fits in with their area.
Coach carter puts his arm around a woman, this is more information that he has a wife.
common codes and conventions of film openings
Thursday, 19 March 2009
locations/Mise-en-scene/Costume/Props
This will be the opening shot of Emily walking towards the camera. This will also show the person behind her. We chose this location because it had good lighting from the street lights.

The front door of Emily's house

Emily's Bedroom:
We chose this room because of the view out of the window. This will be the room where the camera will track Emily and also look out of the window to show the person below.

The view from the window:
This will be the view from the
window. I chose this location due to the street light out side this will be a key shot in my movie.

The steps down into the cellar:

The cellar:

We chose George's house as the filming location because he has a basement which is a big part of the story.
Mise-en-scene
The mise-en-scene is a middle class house. Emily's bedroom is pink and girl'y but also looks quite sophisticated, this helps to portray she is vulnerable but not the typical ditsy blond more of a 'final girl'. The basement is quite big which made it easier to film in also it has a big stone staircase which gives it more of a dungeon type feel to it and also the stone gives a good horror film look. The other location we used was the street outside his house which again is a middle class street like any other so to give it that horror film look we had to wait till later on at night for it to get dark and wait for the streetlights to turn on.
Costume
In our film the protagonist (emily) is dressed in a low cut top and a shortish skirt to show she is sexually available. Her clothes are not too revealing though because we still want to portray her as a counter type to most girls in horror films. For (mark) who is portrayed as a false antagonist he was wearing a black hoodie and dark jeans, this helps give him a criminal/stalker look.
Props
In our film we didn't use many props, we only used a torch (for when the lights go out and emily goes into the basement), an electricity box (to turn the light back on a find the cut fuse) and also a key.
Friday, 13 March 2009
film openings

Halloween Director: Jon Carpenter
Thursday, 12 March 2009
screenplay
In Their Sights
By George Needham, Ben Garvey and Alex Snowden
Post production script - 3rd April 2009
Short fuse productions
Ben Rhydding Ls29 8ls
Tel: 030 7352 7162
Fax: 030 7352 6127
Email: Shortfuseproductions@hotmail.com
1 EXT: ROAD – EVENING
Emily a woman in her early 20’s walks down the road in her work clothes and a coat with a handbag slug over one shoulder. She has brown hair and is an average build. The woman walks with a brisk pace to her door and opens it. In the background you can see a person walking behind her at a distance. We can’t tell if it’s male or female at this point.
2 EXT: EMILY’S BEDROOM – EVENING
Emily walks into her room slings her bag and coat on the bed with a sigh of relief. She then walks to over to the window and lets her hair down. Out of the window we can see the person that was walking behind Emily standing under a street light, Emily doesn’t notice him. Emily then moves into the en-suit bathroom to check herself in the mirror, she then moves back to the window but the person has gone.
3 EXT: EMILY’S BEDROOM – EVENING
The lights start to flicker and then go out. Emily is calm she finds a torch in one of the draws in a large wooded chest of draws. She then walks out of the room and down the stairs to get to the cellar.
EMILY
Bloody fuses
4 EXT: Cellar – Evening
The cellar door opens at the top of a flight of stairs which lead down to the cellar. Emily walks down the stairs which are being lit by the torch which Emily is carrying. She gets to the bottom of the stairs and checks the fuse box which is mysteriously open and had been tampered with.
Emily
What the...
5 EXT: Cellar – Evening
Emily takes a step back to look around the fuse box for anything suspicious. Behind her there is a figure which appears deeper down into the cellar behind Emily. The person starts to walk forward silently he moves closer dressed in black with a hood which covers their face.
He gets behind Emily and stops and reaches out Emily turns slowly almost like she knows someone is there. She sees the figure and screams and turns and tries to run but the person grabs hold of her. The lights turn on and the person pulls down their hood.
Its Peter Emily’s younger brother.
PETER
(Laughing) I got you so good
OPENING TITLE CARD: IN THEIR SIGHTS
Friday, 6 March 2009
Sound and music
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a marvelous temperament and engrossing, dramatic melodies to Acoustic Guitar Vol 6, featuring his excellently played and wonderfully recorded acoustic guitar.
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Background music
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Lots of sample to find the right sound before purchase.
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A wide range of music but you have to pay alot to use the music.
Wednesday, 4 March 2009
My initial ideas
BBFC Rating: 15
Genre: Social realism
Characters: Sam, Bill
Casting: (Ben Garvey),(George Needham)
Location(s): My house
Camera: Tracking, Close up, Two shot, Depth of field, Low shot
Monday, 2 March 2009
Prelim task
In our prelim task we tried to follow Tzvetan Todorov's 3 part narrative structure:

Equilibrium
Disequilibrium
New equilibrium
We didnt fully manage to stick to todorovs theory but we had the equilibrium where george goes to meet his friend and everything seems normal, then we had disequilibrium when he bumps into someone who argues with him, then we have a new equilibrium where they both apologies and ask to go for a drink. The reason why we ended up not properaly follow his theory was that at the end we create another disequilibrium when georges friend tells him he is moving away.
Initial group idea
Emily, a blond haired hard working young women is walking home after work. She is being followed by a person. We do not know if there male or female at this point. Emily gets home and goes to sort herself out in her bedroom. An over the shoulder shot using depth of field shows the person standing under a streetlight. The camera then tracks Emily across the room putting down her bag then back to the window but the person has gone.











